In Fragments d’un discours amoreux, Roland Barthes presents “absence / absence” as integral to lovers’ discourse, defining it as such: “[a]ny episode of language which stages the absence of the loved object—whatever its cause and its duration—and which tends to transform this absence into an ordeal of abandonment” (Barthes 13). Staging the absence of loved ones is a central theme in the work of Maggie O’Farrell, whose novels frequently contemplate loss and bereavement, processes of remembering and forgetting, the dynamics and role allocations within the family, and the preciousness and fragility of life itself.
View More “Remember me”: Significant Absences and the Fragility of Family in Maggie O’Farrell’s Hamnet
