Volume 9 • Issue 1 • 2021 • Special Issue

Editorial

Alluvium Editorial 9.1: Twenty-First Century Irish Women’s Writing

Orlaith Darling and Dearbhaile Houston

2021-03-08 Volume 9 • Issue 1 • 2021 • Special Issue

Article

Trauma, Disremembering and Postmemory in Nuala Ní Dhomhnaill’s The Fifty Minute Mermaid

Fanni Fekete-Nagy

2021-03-08 Volume 9 • Issue 1 • 2021 • Special Issue

Uncertain Existences: Crime and Identity in Tana French’s The Witch Elm

Kathryn Hendrickson

2021-03-08 Volume 9 • Issue 1 • 2021 • Special Issue

From the Ashes: The Celtic Phoenix, Anna Burns’ Milkman and Sally Rooney’s Normal People

Aran Ward Sell

2021-03-08 Volume 9 • Issue 1 • 2021 • Special Issue

‘Complicating Things with Fancy Footwork’: The Ethics of Difficulty in Anna Burns’ Milkman

Paige Reynolds

2021-03-08 Volume 9 • Issue 1 • 2021 • Special Issue

‘At war with her body’: the threat of pregnancy in the novels of Anna Burns

Laura Hackett

2021-03-08 Volume 9 • Issue 1 • 2021 • Special Issue

The Pen is Mightier: Narrative power in contemporary Irish women’s writing

Taylor Allgeier-Follett

2021-03-08 Volume 9 • Issue 1 • 2021 • Special Issue

Eimear McBride’s 'Gob'

Oliver Brown

2021-03-08 Volume 9 • Issue 1 • 2021 • Special Issue

‘Where are you from originally’: The cruel optimism of the precarious Irish public sphere in Melatu Uche Okorie’s 'Under the Awning'

Deirdre Flynn

2021-03-08 Volume 9 • Issue 1 • 2021 • Special Issue